-

-

Alejandra Solar, Mexico / Luxemburg
Recuerdos 1-5
The imagery of branches conjures up the sense of being in a forest but there is plenty of room for the viewer to inhabit the work and imagne their own story.
Hand carved agate with printed image and silver
-

-

Andronikos Sagiannos, Greece
The dancers
I borrowed from the body its movement,
the weight of matter, and the rhythm of the soul.Elements, necessary to activate them.
Bronze
-

Antal Zilahi, Hungary
Mirror Error
Who or what defines imperfection or a flaw? Are my handmade mirrors’ silver surfaces flawed or unique? In my brooches, I see both perfect and imperfect reflections. Paradox.
Handmade glass silver-mirror, rhodium plated copper, steel; Handmade glass silver-mirror, copper, steel; Handmade glass silver-mirror, 3D printed PLA,
-

Arijana Gadzijev, Slovenia
Silver & Gold
Printed textile jewellery inspired by silver and gold colours, materials and objects and their dazzling reflection with raw luxury esthetics.
Polyester fabric, self-adhesive cotton fabric, metal eyelets, polyester yarn, sublimation print
-

Arisa Inoue, Japan / Germany
Our Treasury-Vanitas; Our Treasury-Secrets; Our Treasury-Vanitas/Scent; Our Treasury-Rooms 1; Our Treasury-Rooms 2;
Most of us as human are able to speak and communicate everyday, using the mouth which is the part of our body.When we can’t communicate with our mouths, we can also use our hands to write and convey information.Conversations, phone calls, letters, emails. We are creatures who can tell our daily stories with words in many ways. However, sometimes there is a story deep within us that can’t be conveyed by only words.
That is why we need to weave a story in the language of art, a language that is more powerful than explain by words.I believe in the potential of Object as an artwork which can tell the Stories beyond language.Silver, can, steel, paint, silk string 2022; Silver, can, steel, paint, silk string 2022; Silver, can, steel, paint, silk string 2022; Silver, can, steel, cotton 2022; Silver, can, steel, glue, paper, cotton;
-

-

Babette von Dohnanyi, Germany
Magnolia; Miniatures
In former times the number 3 rapresents the trinity the way of being complete.body,soul and spirit -harmony past,present and future. In my work i like to introduce frequently numbers 3,5,22.
Its in a way not intenionally i am not starting from the number. The numbers comes up like something naturally from the deep inside. In the contruction of a blossom the blossoms leaves the filaments the ovary are allways in the same geometrique contruction and riproduced in every specious of flower . Ripeting the same amount of numbers. This my facination of getting in touch with nature and giving more attention and respect to what is surrounding us.AG 925 black plated,smoke crystall,rockcrystall goldneedles stainless steal; AG 925, pigment, rockcrystal rutil needles, magnolia flour, stainless steal;
-

Camilla Luihn, Norway
Cygnus Purus II–VI
The materials that make up the world around us carry stories with them: stories of the meeting between function and aesthetics, time and force, needs and properties. At times, these stories are so ingrained in us that we take them for granted and don’t question the associations and narratives they give us, such as white, shiny surfaces being an image of cleanliness, or the swan being a symbol for grace, elegance, and light.
Copper, enamel, cotton rope, brass
-

Carina Shoshtary, Germany
Aurora Borealis II; Icarus II; Icarus I
PLA (bio plastic), secret ingredient, glass, acrylic, silver; PLA (bio plastic), barnacles, second hand, sweet-water pearls, silver, crystals, lacquer, thread; PLA (bio plastic), fossil shark teeth, crystals, second hand pearls, silver;
-

Chao-Hsien Kuo, Finland
When The Spring Comes No. 2
My silver sculpture tells the joy of seeing little flowers, which have broken through the debris of winter and bloom as the spring arrives with sunshine and hopes.
925 silver, 24K gold foil
-

Consuelo Keller, Switzerland
Ring Gyroid R_C6_6_100_T35; Ring Gyroid R_C6_100_6_T35;
No words, just algorithms and intuition, machine and hand, laser and metal…
Titanium, laser powder bed fusion and hand finishing
-

Daniel Jirkovsky, Czech / Netherlands
Inspirium
The series of brooches „Inspirium“ is a reflection of the topic of breathing in/inhaling in combination with material research. presented work is formed by such a ephemeral medium like oxygen.
Copper, silver, stainless steel
-

Daniel Kruger, Germany
Pendant 2022; Necklace 2022; Necklace 2023; Necklace- 1950’s souvenir coasters; Necklace 2024;
I use many different materials, both rich and poor. The forms vary from organic to geometric, the organic however seems to prevail. Texture, pattern and colour play a big role, as does sensuality both in the shapes as well as in the use of material. I like symmetry; often pieces are made up of pairs.
For ideas I draw on natural forms and artefacts of all kind, both historical as well as contemporary. This I believe is evident in my work.
The crafting of each piece is part of the creative thinking process.
The jewellery I make is to adorn a person, to be a celebration. Its place is the body and its intention is to enhance the wearer as well as to be an object of contemplation to be taken in the hand and looked at from all sides. It is both jewellery and an artefact conceived and made by one person for the enjoyment by another person.Glass beads, silk, silver; Agate, copper, brass; Polyester threads, rhinestones; Wood, silver; Vintage boile, coloured sand, silver, gold;
-

Dariusz Wojdyga, Poland / Norway
DIADEMA EUCUDARIS 01; DIADEMA EUCUDARIS 03; SERTULARELLA GAYI Black; SERTULARELLA GAYI Green; SERTULARELLA GAYI Yellow
The baggage of knowledge we possess does not allow us not to name, categorise, classify. The form or its idea? We cannot avoid meanings. We cannot avoid responsibility. We. Humans.
Aluminum, steel; necklace; Aluminum, steel; necklace; Aluminum, steel, copper, spray paint; Aluminum, steel, copper, spray paint; Aluminum, steel, copper, spray paint;
-

-

Denise Reytan, Germany
Nocturnal; Marienkäfer; Youth; Kenzaburo; Elements of life;
Art speaks for itself, creating emotions and ideas beyond language. Explaining it confines its infinite interpretations. I invite for exploration, allowing each viewer to discover their very own story.
Silver, resin; Silver, finegold, resin; Silver, resin; Silver, Resin, Amethyst, Onyx, Rosenquarz, Coral, Glass, Rope, Rock crystal, Magnesit, etc.; Silver
-

Diana Kirdeeva, Belarus / Belgium
Forced belonging(s): Interlocked fingers I; Hanging container I; Prism; Hanging fingers I; Clot;
In a vulnerable borderline state of transformation wax objects carry the potential to be either completely destroyed or become more durable under the right conditions…
Bees wax + cotton thread, casting + assemblage; Bees wax + cotton thread, casting + assemblage; Bees wax, casting + assemblage; Bees wax + cotton thread, casting + assemblage; Bees wax, casting + assemblage;
-

Doerthe Fuchs, Germany
Look, and you will see I
Silver soldered, mirror glass with drawing, 2024
Look, and you will see II
Silver, sawn and soldered, mirror glass with drawing, 2024
Everything has a history… the deeper, closer, further, more differentiated you look, think, search, the more stories unfold. This applies to everything…
-

-

Eero Hintsanen, Finland
Drop Dead Gorgeous no.3; Drop Dead Gorgeous no.4; Drop Dead Gorgeous no.5;
Drop Dead Gorgeous rings invite interpretation—are they relics of the past, visions of the future, plants, animals, or simply stunning accessories to wear?
925 silver, 18k yellow gold, diamond. Sculpting, lost-wax casting, stone-setting; 925 silver, keum-boo 24K gold foil, rock crystal. Sculpting, lost-wax casting, keum-boo, stone-setting; 925 silver, freshwater pearl. Sculpting, lost-wax casting;
-

Eeva-Riitta Wornell, Finland
~
Steel and Fabric; Silver Rosewood and crocheted Cotton; Aluminium and Leather
-

Eglė Banytė, Lithuania / Ireland
Wave
I see the world through geometry. My work focuses on the geometry of everyday life. In this case, I saw a wavy bench and I made this brooch.
Sterling Silver, Hallmarked. Traditional goldsmithing techniques (hand cut, drilled, soldered).
-

-

-

-

Eilve Manglus, Estonia
Sensitive topics; Exchange beads; I would like to live in Hiiumaa, in a protected area;
My jewellery talks about living connected to nature. Not to be afraid of this what should be natural. The materials and emotions can talk.
Sterling silver, plant based organic material (droppings of rabbit, deer and moose); Sterling silver, recycled silver, plant based organic material (droppings of rabbit, deer and moose); Sterling silver, melchior, brass, plant based organic material (droppings of rabbit, deer and moose), bone, textile;
-

Elli Hukka, Finland
Tree bark – necklace; Tree bark – brooch; Bark at dawn – necklace; Bark at dawn – brooch.
My working methods are material based and sketchlike, it is a long pro- cess from dyeing and waxing to ready pieces. My aim is to build organic shapes that seem to grow.
Recycled cotton, plant dyeing, beeswax, brasswire, magnet; Recycled cotton, plant dyeing, beeswax, brasswire, magnet, steel wire; Recycled cotton, plant dyeing, beeswax, brasswire, magnet; Recycled cotton, plant dyeing, beeswax, brasswire, magnet, steel wire;
-

-

Estela Saez, Estonia
Leila; Nakhla; Habibi II;
“Maybe Days” is series of jewellery pieces; inspired by the time I spent in the Middle East. The pieces are an expression of the memories kept in my mind as of the mystic experiences in post- revolutionary Cairo. The moon-like landscape, the people, the culture and the specific energy that this part of the world offers is unique. Sterling silver has been textured with Egyptian papyrus, silver as the moon, and Papyrus as the sun; symbolizing the eternal relationship existing between these two.
In addition, the tourmalines are expressing the little green of life and hope within an ocean of sand and dust.
“Maybe days” is an extraordinary opportunity to make rather visible my truthful commitment to understand jewellery that goes beyond the tangible body”Silver textured papyrus/tourmalines; Silver textured/tourmalines; Silver textured papyrus/tourmalines/silk;
-

Eszter Zamori, Hungary
Creation; Palette – Clear Communication; Crawling;
Let it stand without a word,/ art is free on its own, / images, colors, forms speak, awakening feelings and thoughts.
Textile, bracing made of copper, hand sewing; Plexiglass and yarn, laser cutting and knotting; Paper, pigment, cord, laser cutting and gluing, painting;
-

Felieke van der Leest, Netherlands / Norway
Princess Sunshine; My Little Kalashnikovsky
I have my story, you have yours…
Textile, plastic animal, gold. Crocheted, metalwork; Textile, glass beads, metal, glass. Crocheted;
-

Flora Vagi, Hungary
Green in the wind; Aurora borealis; Magna oliva tinea
My work has always had a focus on indirect messages.
In the way of using “living” materials and a transformation that creates questions and curiosity in the viewer, I don‘t tell stories, rather compose a context in which everyone who gets a closer connection to my pieces has the opportunity to make their own interpretations, whether by recalling a memory or imagining a story, or simply opening up to sensations.Words are perfect if one wants to communicate a concrete message, however this has never been my intention. My interpretation is kept for myself. I use the titles to identify current impressions, but they very well may change with time.
The three works that I selected for this particular theme, they were made years apart and in different periods of my life, yet there is a thread that connects them.
I invite the viewers to create their own stories with some of the elements provided by me.
Wood, pigment, acrylic paint; Wood, pigment, acrylic paint; Olive branch, 18ct cold, silk
-

Frederic Frenay, Belgium
Aggregate; The Basics Of Structure; Seeking Some Connection; Architect Of Your Own Darkness; Relics Of Transformation
Shibuichi, Concrete, Shou Sugi Ban, Resin, Stainless steel; Concrete, Shibuichi, Silver, Resin, Stainless steel; Concrete, Shibuichi, Aluminum, Walnut, Stainless steel, Resin; Concrete, Resin, Abrasive Disk, Shibuishi, Shou-sugi-ban, Silver; Concrete, Shibuichi, Resin, Oxidized Silver, Stainless Steel.
-

-

Fumiko Goto, Japan / Switzerland
Series ENCLOSED: Amabikono (hearing; Tamakushiro (touch); Haruhanano (smell); Kumoinasu (mind); Mashimono (taste)
ENCLOSED series
Folded, Urushi-lacquered washi paper inspired by traditional Origata, enclosing a selected epithet representing each of the six senses from Makurakotoba (pillow words) of waka-poetry once exchanged by courtly lovers.Washi-paper, Urushi-lacquer, silver.925
-

Gesine Hackenberg, Germany / Netherlands
Allround Altocumulus; Cumulus Mediocris II; Cumulus Congestus
From the series CLOUDS, since 2023
Clouds as (storage) place for intangible informationPearl Purl Wire, textile (natural dyed by Roua Atelier) silver, remanium
-

Ginta Grube, Latvia
HEX KEY • No.III (Collection Jeweltool) • No.V (Collection Jeweltool)
Iron, silver • Aluminium, clay, rubber • Aluminium, plastic, rubber.
-

Gisella Ciullo, Italy / Netherlands
Broken Heart I (brooch); Broken Heart II (brooch); Broken Heart III (brooch); New Hopes I (ring/object); New Hopes II (ring/object)
RADICAL SHADE
In my homeland (Salento, Southern Italy) an epidemic of the bacterium Xylella fastidiosa destroyed 21 million olive trees in recent years, out of a heritage of 60 million.Olive wood, silver, stainless steel; Olive wood, silver, oxidised silver, stainless steel; Olive wood, oxidised silver, stainless steel; Olive wood, silver; Olive wood, silver;
-

Hanna Liljenberg, Sweden
Within, 2023 (neckpiece); Within, 2024 (brooch); Within, 2024 (neckpiece)
Brass, paper, acrylic paint, lacquer, linseed oil; Brass, silver, paper, seed cases, acrylic paint, lacquer, linseed oil; Brass, paper, seed cases, acrylic paint, lacquer, linseed oil;
-

Hansel Tai, China / Estonia
Delicate Spine IV; Delicate Spine V; Delicate Spine VI
Vintage Crystal Glass, Metallic Mother of Pearl, Thread, Oxidized Silver.
-

-

Ildiko Danfalvi, Hungary
Visions series 2024
Steel, plexiglass, mirror plexiglass, paper collage
-

Isabel Wang Pontoppidan, China / Denmark / Netherlands
Amongst The Devil’s Dandelions I; Amongst The Devil’s Dandelions II; Amongst The Devil’s Dandelions III; Baroque Snailhouse For Your Finger.
Your finger is a slug; wants to upgrade. You can call me your architect, engineer, contractor and real estate agent. This opulent snailhouse is the perfect fit for one.
Silver, Freshwater Pearl; Silver, Freshwater Pearl; Silver, Cubic Zirconia And Tourmalines; Silver, Fluorite.
-

Izabella Petrut, Austria
Zhuangzi Bu+erfly Dream 2023
We experience the world mostly through our phone. Use your phone to experince the AR feature of the necklaces, and reflect on the questions it opens up.
Epoxy resin, silver, PLA, Opalith, Anden Opal, (magnet); Silver, epoxy resin, Sodalite, Anden Opal, (magnet); Epoxy resin, silver, Aventurin, Onyx, Tourmaline Quartz;
-

Janne Peltokangas, Finland
Sieidi Cikna No.13, 2023; Sieidi Cikna No.14, 2024; Sieidi Cikna No.15, 2024; Sieidi No.15, 2022; Bazahus III, 2024;
My work transcends conventional storytelling. Instead of craing narratives, I create pieces that communicate through their physical presence and materiality. My artworks engage the viewer on a sensory level, inviting touch and evoking emional and intellectual responses that go beyond words.
In a world inundated with stories, my pieces stand as a reminder of the power of direct experience and the intrinsic value of materials. They emphasize the importance of what is felt and experienced immediately, without the need for explanation or narrative. By showcasing the inherent qualities of metal and the deep connection between my cultural heritage and the natural world, my work invites viewers to engage with what truly matters and to explore the profound relationships between materials, environment, and human experience.Iron & Silica
-

Jasmin Matzakow, Germany
The Lore of Hysteri (necklace) 2024
Anger in Western, patriarchal societies is attributed to white cis men, while women and non-binary people are hysterical (Greek hystéra: womb). Their rage is just a game. Let’s play then.
Wood, Cow Intestines, Iron Wire
-

Jeanine van der Linde, Netherlands
Airborne No 1
Recycled plastic bags, hand-dyed wool, sterling silver, steel, 2023
Airborne No 2
Recycled plastic bags, Tyvek, fabric hardener, sterling silver, steel, 2023
Our lungs are threatened by rising air pollution from airborne syntetic fibers, which shed from cheap clothing and fast fashion, leading to internal plastic pollution.
-

Jeannette Knigge, Netherlands
Nose Hair
18K gold, 2024
Breast
925 Silver, Silicones, 2024
Lashes
925 Silver, 2024
What defines our identity? My research shows that identity is fluid and can be seen as an ongoing performance. People will act according to the applicable rules in their social environment and adapt. Still, they also want to preserve their identity and be seen and recognised for who they are.
Jewellery is a way to show your identity. You adapt to the social needs of your environment. What happens when you wear jewellery that no one recognises as such?
My pieces raise questions about our social behaviour and people’s expectations of themselves and others. -

Jelizaveta Suska, Latvia / Sweden
Frozen Moment: Stardust 1, 8, 2; North 2, 3;
The brooches are a reflection of my imagination, they have no stories behind them, yet I wish them to evoke a memory or a fantasy in you.
Polymer, crushed stones, stardust/low micrometeorite %, 14K gold, meteorite Campo del Cielo, steel, titanium; Polymer, crushed stones, stardust/low micrometeorite %, 14K gold, meteorite Sikhote Alin; Polymer, crushed stones, stardust/low micrometeorite %, 14K gold, titanium, steel; Polymer, silver shaves, 14K gold, titanium; Polymer, silver shaves, 14K gold, titanium;
-

-

Jil Koehn, Germany
OUVIT; PYROS; RIVAK;
Inspired by dreams and nature, Jil sculpts objects of bizarre beauty that seem to originate from the nature of another world – artifacts of distant worlds as jewelry for earthly moments.
DIOMANT (self-developed composite), ultramarine, lapis lazuli, sterling silver, stainless steel, assembled, cast; DIOMANT (self-developed composite), vermilion, purple, magnet, assembled, cast; DIOMANT (self-developed composite), egyptian green copper silicate, sterling silver assembled, cast;
-

Joani Groenewald, South Africa
Cast in Stone 1; Cast in Stone 2; Skipping Stones 1; Skipping Stones 2; Cast in Stone 3;
Within every stone there is the story of a place: In this series of works, I reimagine fragments of landscapes in the form of jewellery pieces, that highlight the intimate connection between humans and their environment.
Silver, Sand, Steel and Glass; Silver, Sand, Steel, Synthetic Coral; Silver, Glass, Resin, Sand, Cement; Silver, Glass, Resin, Sand, Waxed Cotton Cord; Silver, Resin, Sand, Steel Wire;
-

Jorge Manilla, Mexico / Belgium
In order to understand, I destroyed myself; I bear the wounds of all the battles I avoided; Let us sculpt in hopeless silence all our dreams of speaking; I have to relate myself to an immense, ludicrous, and painful convulsion of all of humanity; Eroticism, it may be said, is assenting to life up to the point of death; I don’t want your love unless you know i am repulsive, and love me even as you know it;
“Primitive Impulses”
This body of works are representations of a unique emotional depth experienced in recent years. They focus on feeling and confronting vulnerability and melancholy, often circulating and questioning aspects between vitality and death, aesthetics and deformation, figuration, and abstraction.
My pieces are a testimony of visible and perceptible transformation processes in human life.
Themes as love, pain, sexuality, and emotional strength become focus elements for the construction of those pieces.Horn, wood, leather, polymer gypsum, steel; Horn, wood, leather, polymer gypsum, steel; Wood, leather, polymer gypsum, fossilized prehistoric bone of unknown origin, steel; fabric, dry flower, wood, leather, polymer gypsum, steel; Wood, leather, polymer gypsum, fossilized prehistoric bone of unknown origin, steel; Wood, leather, polymer gypsum, dry flowers fossilized prehistoric bone of unknown origin, steel;
-

Josephine Rønsholt Smith & Mette Charlotte Saabye, Denmark
#1 Intimacy & Flexibility; #6 Intimacy & Flexibility; #4 Care & Intention; #6 Care & Intention; #6 Confidence & Togetherness;
In collaboration, we have created these works, where materials, shapes and colors have become our non-verbal language. We want to invite everyone to participate in this sensory-based conversation.
Pressed copper, enamelling, wood & bone carving; Pressed copper, enamelling, wood turning & carving; Pressed zinc, wood carving & needlework; Pressed zinc, wood carving & needlework; Enamelling on silver, folded zinc & brass.
-

Judy McCaigh, United Kingdom
Desert Nights; Night Sailing; Moonlight Wanders
Nature, signs, sounds, winds and music guide the indigenous people across their vast continent.
Brass, tin, tombac, copper, gold, gold leaf, perspex, paint, brush. Construction, soldering, riveting; Silver, brass,alpaca, tin, tombac, copper, gold, gold leaf, perspex, paint. Construction, soldering, riveting; Brass, tin, tombac, copper, gold, gold leaf, herkimer diamond crystal, perspex, paint, brush. Construction, soldering, riveting;
-

Karen Vanmol, Belgium
Stilleven: In the middle of the street (white, blue)
Wood, laminate, paint, steel, mixed techniques, handcut
-

Karin Johansson, Sweden
Part of the serie Colors / Capri island impresssions: Cetrella; Night Compass; Vertical
Silver, fired enamel, gold, thread
-

-

-

-

Katharina Andress, Germany
Flying astronauts
Limewood, acrylic pigment, color pencil, polyester cord
-

Katja Prins, Netherlands
~
(in) – Somnium
In my practice, I reflect on my fascination for the relationship between technology and the human body. I am interested in the ambivalence, contradictions, the thin line between good and bad, improvement and danger, the uncanny valley of the familiar and the unknown. The simultaneously “healing-protective and toxic-destructive” properties of technology both worry and excite me. It provides me with imagery and ideas for a fluid boundless world where man and technology are hybrid, where the human body and the network merge and entangle one another in a structure of systems; unclear where one ends and the other begins.
This hybridity between man and machine is also being reflected in my way of working and designing this new collection.
I started using 3D printing and designed my forms with the Anarkik3DDesign program, which works with a special haptic device and which gave me a real sense of touch and movement in the virtual environment. By using this device I was able to feel the 3 dimensionality and texture of my forms, (de)form them intuitivly by pushing and pulling them, even go inside my forms and work in the same intuitive way as if I was working with clay and my bare hands.
Later on I combined the forms with the silver elements, which added another layer of hybridity; traditional goldsmithing craft in combination with the latest 3D printing technologies. -

Keiu Koppel, Estonia
Visionary (headdress)
Building a house of cards is both miraculous and absurd, capturing the tension between unattainable ideals and its fragile, temporary nature.
Brass, playing cards
-

Ketli Tiitsar, Estonia
From the series “Line going for a walk”: Natural; Balanced; Doubtful; Versatile!
The serie of necklaces inspiered by Wassily Kandinsky, who told to the students of preliminary course of Bauhaus art school: „The drawing is like a line going for a walk“. In my work I play with similar elements, making them smaller and larger and searching for ways how to connect them with with line – string.
The works are inspiered by preliminary course of Bauhaus arts school, where students where encouraged to explore their own subjective feelings and to bring creativity to design. Course was divided into three sections: studies of nature and materials including colour and form theory, analyses of the old masters and life drawing. After Johannes Itten, Wassily Kandinsky started to teach the course.
This body of works is made during Erfurt Schmuck Symposium on 2019. Theme of the symposium was Bauhaus, as the legendary school was celebrating 100 years anniversary. My work was selected to the exhibition Schmuck 2020 in Munich. Four necklaces were sent to the exhibition, they were unpacked but due to global Covid Pandemic the exhibition and Handwerk fair were cancelled, first time in their long history. These pieces were sent back and never shown publicly so far.Walnut wood, iron, industrial enamel, paint, viscose cord
-

Koen Jacobs, Netherlands
Narcissus; Venus; Juno
METAMORPHOSES
Metamorphoses is inspired by mankind getting out of touch with nature. The Roman poet Ovidius, describes in his poems Metamorphoses beautifully how the harmony between humans and nature got disturbed by gods pursuing earthly desires, just like we do today. In classical times the longing for getting back to harmony was symbolised in hybrids of human and nature which can be seen in many fresco’s and sculptures in the form of centaurs, fauns and so on. My residency in Florence allowed me to study these mythological figures in detail and use my observations as inspiration for Metamorphoses.
Each piece consists of two parts, a silver wire drawing on top of a chiseled shape. With the silver wire, I have recreated my observations of the mythological figures. By bringing these mythological figures to live, I hope to inspire you to get in harmony with nature again.18k gold plated silver; Silver, Avaiki Pearl; Silver, white pearl
-

Kristiina Laurits, Estonia
Talpa; And from soil I; And from soil II
Don´t tell me a story, my jewellery will tell it instead.
Soil, silver, black tourmaline; Soil, silver, hematite; Soil, silver, egg shell, paint, lack, almanddine;
-

Lars Joosten, Belgium
From the series MECHAN-ISM: Flying Saucer; Hinge and closure; Tension Inbetween
Aluminium, stainless steel and silver; Aluminium, acrylic, steel and silver; Titanium and steel;
-

Laura Hanisch, Germany
Cat Face+Tail; Safari;
You need to touch it! Then play!
Glas, cotton, steel, brass(goldplated), nylon; Aluminum, cotton, paint, hair
-

-

Lieta Marziali, United Kingdom
Statement piece, 2024
Text, Calibri font (the author’s preferred font), card, commercial ink, felt pen, stainless steel.
Dear viewer,
LET ME TELL YOU A STORY. Take your time to read it. The author is not dead.
It was Roland Barthes who famously declared it publicly. Putting you, the reader, the viewer, in the driving seat, giving you free rein to interpret. You felt you had the power to see what you wanted to see, to disregard the author’s intention. It was also around that time that it became fashionable to refer to what you were seeing as “auto-nomous objects”.
Ah, the irony! For once, an object is conceptually such only if there’s a subject. And how can it have free agency to “rule” itself if you are imposing your own interpretation on it? AND how is it that you so often glorify and judge its value not for itself, or even your interpretation of it, but through its provenance and the creative powers of its author?
Foucault cautioned us to observe and examine the ‘empty space… the void’ left by this supposed death. Too many considerations (and contradictions) left open…
So here’s what I think. As an artist, I am not here to tell you what to see. But I AM here to give you a lens through which to see the world with my eyes, my thoughts, my questions. If you are interested in seeing only through your own eyes, what is my role as an artist?
Artists are the instigators of meaning. It is our responsibility not to provide answers but to pose new questions. And it is the responsibility of you, the viewer, to listen and to engage, not in solitary interpretation, answering only to yourself, telling yourself what you want to hear, but in a dialogue, with the author and with others.
Art is not an object. It is not the “thing” in front of you.
Art is not auto-nomous. It does not speak for itself, it does not “govern” meaning by itself, and nor do I, or you.
Art is the opening of a door for us to join forces in thinking, agreeing, questioning, clashing. Art is the creating of both empathy and entropy, harmony and chaos.
The etymology of the word “art” contains the concept of “fitting together”. So allow me to be an author who can, and wishes to, tell you a story. And allow yourself to be a viewer who can, and wishes to, listen and pay attention. Art is what happens next, when we create meaning together.
Art is a shared doing.Yours, Lieta
-

Liisbeth Kirss, Estonia
I’m Just A Girl; We All Suck
My works are in their very essence connected to speaking. One of them glorifying the orator by delicate silver flowers, another chocking the speaker through a silver lollipop.
Silver, rose quartz, agate, chalcedony, citrine, amethyst, silversmithing; Silver, opals, silversmithing;
-

Lorena Rode, Netherlands
Where my mother marked me, the devil also marked me
Where my mother marked me, so did the devil
By mere stains I was conditioned at birth
As an aberrationGifted skin of my mother
Specks and freckles
Clear signs of treaties
Of a pact with evil
Touched by the devil
And so persecuted
Overwhelmed with violence
Forced to burn and drownAnd other times we honoured them as exceptions
Painted, smeared, and drawn
Inviting a change of faith
Still ruled by exclusivity
But crowned with diamonds and glamourAnd now I beg for permanence
Inked my skin for closeness
For more me and less her
30 years of a potentially cancerous presence
A time of slow change
Slow growth and death
Let us dress with chains of glass
For additions that tell of dichotomiesThis collection explores the connotations, beliefs, and myths that have circulated our natural blemishes such as moles and birthmarks. They are at one point considered a sign of attractiveness, famously known as beauty marks, and in other moments moles and similar skin features have been associated with negative connotations ranging from disgust and aversion to the horrible medieval concept of the witch’s mark—a supposed indication of a pact with the devil, used to justify persecution.
Borosilicate glass
-

Louise Billgren, Denmark
It’s Quite True
Inspired by H.C. Andersen’s “It’s Quite True!”, my work highlights the danger of gossip. It illustrates how a minor event, such as a chicken losing a feather, can escalate into an exaggerated tale of five dead chickens.
- Brooch one: There it Goes
- Brooch two: Vanity
- Brooch three: I’m All Ears
- Brooch four: From Henhouse to Henhouse
- Brooch five: Fallen Feathers
Silver, steel
-

Loukia Richards, Graikija
Musketeer
Embroidery on textile, 2024
Little Red Riding Hood,
Embroidery on textile, 2024
Children’s literature shaped our view of the world and its challenges. Technology abuse
drains children’s imagination and free thinking. The cuffs encourage wearers to share the
story of childhood heroes. -

Maja Licul, Slovenia
Double smash brooch
Casting, bronze, 2024
Double order brooch
Casting, bronze, 2024
The story is not hidden in my work, the story is my work.
-

Marcelo Ferreira Gustafsson, Sweden
Aroid 01, 2023, necklace (Talisman); Hand piece, 2024; Aroid 03, 2023 Necklace (Talisman)
Ash wood, copper, copper oxide, carnelian, silk, cotton, mother of pearl laminat, green 925 gold leaf;Ash wood, copper, copper oxide, 925 green silver leaf, carnelian, waxed linen thread, vintage amber beads;Ash wood, lacquer, 925 silver leaf, silk cord.
-

Mareen Alburg Duncker, Germany
Night Sky; Foliage; Green earrings; Summer Meadow Bracelet.
I have captured the summer.
Silver, pigment spray assembled; Silver, pigment spray assembled; Lemon chrysoprase, silver, pigment spray assembled; Silver, pigment spray forged.
-

-

Marite Rudzate, Latvia
nepan_ESAMĪBA; ===; @@@;
Titanium chain necklace, TIG welding, forging; Titanium chain necklace, TIG welding, forging + ready made touch-sensitive device elements; Titanium chain necklace;
-

Martin Verner, Czech
Cube; Two spheres; Cilinder; Cube #2; Rest of the sheet
Is the artist’s goal to achieve the perfect form or is it a living creative process in itself?
Silver, stainless steel, natural patina. Soldering, cutting, bending.
-

-

-

-

Merlin Klein, Germany
A little thin
Glass pearl from Sahara sand collected in Munich, Pearl silk, 2024
“A little thing” in English: pettiness Alternatives: a small thing, or trifle It became somehow grim, a very strange mood set in. First, I did not know what had influenced me visually so much. I blinked hard, many times, so as to see whether my eyes recovered or whether it was due To the fact that the light reaching my eyes had changed. That was not the case. I looked around closely. Somehow everything looked orange and hazy. It lasted an instant longer until I looked up at the clouds in the sky. This is where the light came from. The whole sky was coloured orange red and the reason was not the sunset. It was as though heavy pigmented clouds were up there, somehow moving, or maybe not. While I was considering what it could be, perhaps an atomic war had broken out earlier than I thought and the colour in the air was possibly the result of the detonation of a city transported by the wind, a patch of blue sky appeared through the clouds. Evening set in, Then night, And I went to bed. During the night, it started suddenly to rain heavily. I could hear how the rain falling from the sky hit, drummed and rattled onto the roof of my truck. I remembered the sky and the colour once again. It was almost as though the rain fell differently. Heavier and yet slower than usual. I thought again about the war and kept picturing it in my mind while outside the acid rain contamined and ate everything away. I hoped that the aluminium covering of my truck would withstand it. I slept. The next morning I opened the outside door to check whether everything had been eaten by the acid rain. I was frightened and touched at the same time. Outside, everything was covered with a fine, orange brown dust. I was aware that it was the same colour I had seen in the clouds the evening before, and now, here it was in front of my door and it painted everything outside in a monochrome I looked on the Internet to find out whether more information was available, or if something had happened. I now wanted to know whether it was a city blown into the air by an Atom bomb that I was rubbing between my index finger and my thumb…. I read about this phenomenon; under certain circumstances, sand from the Sahara can be carried very far by wind and weather. In this case, this was what had happened and Munich was covered with it for a short time. Because I could not believe that the Sahara sand was now covering everything, I started to collect it together with a paint brush. It was like having found something precious. It was the finest sand I was holding in my hands. A friend of mine had just come back from a holiday in the Sahara. She found it strange that she had travelled so far and had brought back Sahara sand in her luggage, and that here it was a few days after her return in front of her house. Like me, she had the same impulse to collect it. As we talked about it and I told her about my idea to make a glass pearl necklace from the Sahara sand, that one could wear as a piece of jewelry later, she gave me the sand she had collected without another thought. We put all our Sahara sand together and transformed it from a small pile of dirt into a special pile of something remarkable. Perhaps, it is not just about my work but also about friendship. About travel and distance. About what makes you curious. Or about “staying at home”, about the nearness, about the incomprehensible. In any case, it is about Anna and me. The Sahara and the wind. And situation… A short while ago, I was sitting with Anna in my Truck and I had the necklace, which until now, I had only imagined, it was almost ready. Andy arrives at that moment, cheerful. He hears the conversation between us. As he realizes that after many trials the necklace is almost ready, he asks to see it. Again he is very happy when I show it to him. “From the sand, you made this little thing”? Yes, that’s what I made out of it. Dr. Bernd Hamann, Uwe Schadewald, Silke Meyd, with their arduous work, with their skill, ambition and engagement, with their finest labwork, the firm Fluxana in Ilmenau, have made a piece of glass from the Sahara sand for me. And I have only then, as Andy said, made “a little thing” so that this story can be worn as a piece of jewelry. As simple as possible, how easy is that. “A little thing” in English: pettiness Alternatives: a small thing, or trifle Thank you Anna! Thank you Fluxana! Thank you Dr. Hamann, Uwe Schadewald, Silke Meyd….
-

Mira Kim, South Korea / Germany
Faces (brooch); Patterns (earrings); Patterns (ring 1); Patterns (ring 2); Dimension (necklase)
Silver, Copper. Mokumegane, Guilloche engraving; Silver, Copper. Mokumegane, Guilloche engraving; Silver, Copper. Mokumegane, Guilloche engraving; Silver, Copper. Mokumegane, Guilloche engraving; White Gold (750), Silver. 3D Printed Gold, Guilloche engraving.
-

Mirei Takeuchi, Japan / Germany
hier verbindet sich was getrennt
“hier verbindet sich was getrennt” = “something else is connected here”
Textile, yarn, stainless steel
-

Mona Wallström, Sweden
Elegy XV; Elegy XVI; Elegy XIX; Elegy XX; Elegy XXI
Work from FALLEN HAIR, an ongoing project since 2021. It’s about reflecting on loss and grief while working with my stands of hair.
Horn of reindeer, human hair, oxidized silver; Horn of reindeer, human hair, oxidized silver; Wood, human hair, paint, oxidized silver; Wood, human hair, paint, oxidized silver; Wood, human hair, oxidized silver.
-

Morgane de Klerk, Netherlands
Nose to Nose #1; Nose to Nose #2
Jewellery—like words—too often emphasises on hierarchy and distinction between individuals. This series rather illustrates two noses conversing with each other without the use of a single word.
925 sterling silver
-

-

Nikolay Sardamov, Bulgaria
Necklace 1; Necklace 2
Silver 925, oxidised, agate; Silver 925, oxidised, wood.
-

Oldŕich Sládek, Czech
Opus Humanum #04; Opus Humanum #06; Opus Humanum #07; Opus Humanum #09
OPUS HUMANUM
Many parts composed in a strict order together form a clear whole. Humanity constantly strives for a shift in everything it does and creates, it strives for perfection that cannot be achieved, because an imperfect being cannot achieve perfection in a work. But it has to try, it is it’s lot. The work itself reflects the energy and hard work put into it.
The OPUS HUMANUM series attempts a shift in my creation of assembled jewelry connected only by cold joints. In this case, everything is held together by a threaded nanowire.Steel, gold, nanowire; Steel, gold, nanowire; Steel, gold, nanowire; Steel, gold, nanowire, kevlar;
-

Oscar Wippermann, Germany
Pythagoras at the beach; The Crocodile does not have Feathers; The Moon comes for a Visit; The Sun is not hungry anymore; The Unchangeability of the Flower Bouquet
Bone, grenadill, vegetable net, silk, cotton, brass; Bone, grenadill, vegetable net, silk, superglue; Bone, grenadill, vegetable net, silk; Bone, grenadill, vegetable net, polyester, cotton; Bone, grenadill, silk, willow bark, steel, brass, superglue;
-

-

Pavel Opocensky, Czech
From the series Broken Chair: Brooch # 2; Brooch # 3; Brooch #4; Bracelet
Materials and their characteristic qualities have been the main substance of all my jewelry for more than 40 years. In the series “Broken Chair,” a polymer-designed product is recycled into jewelry. Transparency and color give me the impulse to decide what to do with it. In past years, I have carved many different materials from products like snowboards, motor engines, guitars, bicycle frames, and so on. The final shape is the result of the material’s quality and original purpose.
Stainless steel, polymer. Carving.
-

-

Rasma Puspure, Latvia
Wesley. From series „For Team Arteles“
Sterling silver, shungite, onyx, healers’ gold (magnetite with pyrite), cotton tread, 2024
Stories have to be experienced, allowed to happen. It is for this reason that the jewellery created is an intuitive search through materials that refer to shared experiences with the recipient of the necklace.
-

-

Rosa Borreda, Spain
No titles 1-2
Can the mixture of several disciplines create a different one?
Can the insignificant be magnified?
Why not modify to improve, renew and contemplate again?Fragments of different types of wood, some of them with paint on, fabric, steel staples and waxed finish.
-

Sabine Klarner, Germany
In 2019, the Remmo clan broke into the Green Vault in Dresden and stole a large part of the state treasure.
The stones from the precious pieces were broken out, damaged or destroyed.
The stupid and barbaric thieves thought the stones were valuable and could be sold. But they are not valuable in the commercial sense today, according to international standards, but “only” in the (art) historical sense.
And especially in the jewelry, in the parures and ensembles.
That annoyed me so much that I sent my jewelry to Munich on the arm of the thief. -

-

Sara Gaczkowska, Poland
Part I; Part II; Part III
Collection „Body” refers to the body and its parts. “The body speaks covertly in a way that culture cannot control”. Each brooch invites to touch its surface which is carved from the stone.
Carved stone, silver, steal.
-

Sarah Schuschkleb, Germany
Ruhende Handlangerin; Ruhender Handlanger; Glimmende Handlangerin; Mamilas ( 3 pins)
My objects should make you want to touch them and help you focus. “Handlanger” means a helping person but can also be understood as a place where the hand touches.
Wood, graphite, lacquer, iron nails; Wood, graphite, lacquer, iron nails; Wood, copper, glass, plastic; Iron, magnet
-

-

Sebastien Carre, France
Organic Landscape (Bracelet #5); Organic Landscape (Ring #5); Forever with us (necklace)
Beads, threads and other materials brought together to help us
reconnect to nature, honor grief or remind us how much we are all bound together.Beads, leather, cotton, silk, elastic thread, nylon; Beads, aquamarine, jasper thread, nylon; Jet, pearls, silk, beads, nylon;
-

Sille Luiga, Estonia
Series “PREACH”
It uses hammered silver investing coins and deals with paranoia in popculture regarding money and fame.
Material is a mix of pure and sterling silver, parts of pure silver investment coins are used. Brooch needles are made from stainless steel. -

Silvia Bellia, Italy
From the collection “All that Glitters is not gold”: Gem Fusion; Mumbai; Polly
Pink quartz, lemon chrysoprase, quartz crystal, amethyst, resin, silver; Carnelian, amethyst, pink opal, resin, silver; Pink chalcedony, chrysoprase, amethyst, resin, silver.
-

-

Solveiga ir Alfredas Krivičiai, Lithuania
~
Just don’t tell me stories, others tell me stories.
Silver, USB stick, phone, connecting cable.
-

Stefania Sioufa, Greece
Belong 1 (ring); Belong 2 (necklase)
The name Belong is derived from the notion that everything starts and finishes in the nature, so everything belongs to the nature.
Moreover, I am presenting a bold statement piece for the contemporary jewelry competition. A sizable ring featuring an intricate design crafted from gold-plated silver. This eye-catching creation combines the grandeur of luxurious metalwork with modern aesthetics, making it a true testament to contemporary artistry.Poplar tree seeds, gold plated silver, acrylics, resin;
-

-

Suvi Tupola, Finland
Kaski I; Kaski VI; Kaski IX; I would rather be in a forest IV; I would rather be in a forest V
Kaski pieces speak of how we burn the world to sustain ourselves through craft and material. Enamel elevates the wood from material to jewellery but the technique itself is destructive.
Aspen, enamel, nails steel. Enameled; Aspen, enamel, nails, steel. Enameled; Aspen, enamel, nails, steel. Enameled; Pine needles, leather, cotton, steel. Assembled, sewed; Fir cones, leather, cotton, steel. Assembled, sewed;
-

Tamia Dellinger, Portugal
Passage II (necklace)
This piece is part of my thesis collection “Poetics of Passage”, where I explore how land, time, and storytelling are intertwined, this necklace came to be from materials that have personal significance (either collected from meaningful places or gifted by loved ones). This attaches a hidden narrative to the piece, the only clue to what it might be is in the title.
Basalt, silver, pigment, epoxy, corundum
-

Tatjana Giorgadse, Germany
I eat my dreams; 5500 ℃; n.T
Wood,gold leaf, messing, rubber, paint, silver; Balza wood, bio-resin, foam, silver, paint; Layered agate, foam, pigment, silver, steel.
-

Ugnė Blažytė ir Danas Tamašauskas, Lithuania
(From)heart
Your vision will only be clear if you can look into your heart. (K. Jung)
Lead, dark and heavy matter that reflects the unconscious, deeply hidden content of the subconscious. As a metaphor for artistic alchemy, this primordial element invites us to a long journey in which consciousness is gradually purified and lead is transformed into gold, the highest form of consciousness.Lead, gilded silver, wax, gold paint, velvet tray. Tray: 31cm x 35cm. Objects: 10cm x 6cm.
-

Una Mikuda, Latvia
No story, yet 1; No story, yet 2
Have you ever felt that feeling in your head when artwork with a story too deep and too complicated makes your brain tie in the knot? I think that artwork should be readable without any text. It should resonate with you or not. Art it is not only about the concept, but also about the form, material, composition or colour. If the art piece itself makes you feel satisfied, brings you a catharsis-like emotions or the opposite – makes you feel angry and bored? Like the form or the use of material reminds you of something? That is the moment when the story about this artwork is born.
Silver, pearls, electric wire, flat webbing sling; Silver, gold-plating, heat-shrink tubing.
-

Valdek Laur, Estonia
Baracus (neckpiece); Aurochs (chestpiece); Tauros (chestpiece); Author‘s balls (chestpiece); Author‘s balls 2 (chestpiece)
AIMLESS AURORAS OF MIDLIFE MUNDANITY is a humorous, self-ironic reflection on the absurdity of the self-declared prophets and subcultures glorifying primal masculinity. The story of (futile) attempts at casting manhood.
Photogrammetry, cast aluminium; Photogrammetry, cast bronze; Photogrammetry, cast bronze; Cast aluminium; Cast bronze;
-

Valdis Broze, Latvia
Unbroken; Axis turn; The boat of silence
“Timeless” series is composed of watch glasses and black structures. There are no clock hands, there is time and space that matters to us. Appreciate the rhythm and shapes that form by paying more attention to what’s around us. How the environment and people help us create and see a lot of new. Finding your rhythm. It’s different from the one we often live in. Stop for a moment.
Brooch , oxidized sterling silver, watch glass
-

Vendula Fabian, Hungary
Familiar events (01 – Kin); Familiar events (02 – Remains); Familiar events (03 – Paraphrase)
Soldering, wood carwing. Oxidized sterling silver, shibuichi, sweet water pearls, amaranth wood, amethyst, prasiolite, volcanic rock, cotton thread; Wood carving, soldering, stone setting. African black wood, shibuichi, oxidized sterling silver, teeth, yellow saphire; Wood carving, soldering, stone setting. African blackwood, oxidized sterling silver, yellow sapphire, leather, cotton thread.
-

Veronika Fabian, Hungary
Spring ring L (necklace)
Soldered, flattened, pressed, hammered, gold plated brass chains, spring steel
-

-

Wiebke Pandikov, Finland
Daily Bread (series of brooches and necklaces)
Plastic bags that previously contained bread have been worked into small basket-like objects
applying the age-old technique of coiling, used by humans ince the Neolithic.Plastic bread bags, stainless steel in brooch mechanisms, hemp string in necklaces
-

Xenia Deimezi, Greece
the key; remember; 8; redemption; gender
The experiences that engender emotion and the need for understanding of our own self are the cause of expression. This procedure no matter how long it lasts, even if it is continuous or automatic and instant, needs immediacy, purity and sincerity.
Polyester thread, silver 925, snail shell, resin.
-

Yotam Bahat, Israel / Belgium
me: 17 hands; cutting disc 2; under the sun; Pandora’s Box 2; I Swear I Love You
Aluminum, sapphires; Bosch cutting disc, fine silver; Fine silver, copper; Fine silver, copper; Steel, 925 silver.
-

Zane Vilka, Latvia
Earrings 00; Earrings 88
Earrings are my favourite type of jewellery. Although they challenge the classic conditions for functionality – size, weight, shape – they give me the greatest satisfaction when interacting with the user.
Silver, partly gold-plated, corundum, pink opal; Silver, partly gold-plated, corundum;
-

