• Airidas Skublickas

    Airidas Skublickas, Lithuania

    Back in my days […]

  • Alejandra Solar

    Alejandra Solar, Mexico / Luxemburg

    Recuerdos 1-5

    The imagery of branches conjures up the sense of being in a forest but there is plenty of room for the viewer to inhabit the work and imagne their own story.

    Hand carved agate with printed image and silver

  • Alexandra Bart

    Alexandra Bart, Germany

    Brick 1; Brick 2; Play Yellow

    Fine silver; Wood colour

  • Andronikos Sagiannos

    Andronikos Sagiannos, Greece

    The dancers

    I borrowed from the body its movement,
    the weight of matter, and the rhythm of the soul.

    Elements, necessary to activate them.

    Bronze

  • Antal Zilahi

    Antal Zilahi, Hungary

    Mirror Error

    Who or what defines imperfection or a flaw? Are my handmade mirrors’ silver surfaces flawed or unique? In my brooches, I see both perfect and imperfect reflections. Paradox.

    Handmade glass silver-mirror, rhodium plated copper, steel; Handmade glass silver-mirror, copper, steel; Handmade glass silver-mirror, 3D printed PLA,

  • Arijana Gadzijev

    Arijana Gadzijev, Slovenia

    Silver & Gold

    Printed textile jewellery inspired by silver and gold colours, materials and objects and their dazzling reflection with raw luxury esthetics.

    Polyester fabric, self-adhesive cotton fabric, metal eyelets, polyester yarn, sublimation print

  • Arisa Inoue

    Arisa Inoue, Japan / Germany

    Our Treasury-Vanitas; Our Treasury-Secrets; Our Treasury-Vanitas/Scent; Our Treasury-Rooms 1; Our Treasury-Rooms 2;

    Most of us as human are able to speak and communicate everyday, using the mouth which is the part of our body.When we can’t communicate with our mouths, we can also use our hands to write and convey information.Conversations, phone calls, letters, emails. We are creatures who can tell our daily stories with words in many ways. However, sometimes there is a story deep within us that can’t be conveyed by only words.
    That is why we need to weave a story in the language of art, a language that is more powerful than explain by words.I believe in the potential of Object as an artwork which can tell the Stories beyond language.

    Silver, can, steel, paint, silk string 2022; Silver, can, steel, paint, silk string 2022; Silver, can, steel, paint, silk string 2022; Silver, can, steel, cotton 2022; Silver, can, steel, glue, paper, cotton;

  • Aušra Mačiulaitienė

    Aušra Mačiulaitienė, Lithuania

    Talk

  • Babette von Dohnanyi

    Babette von Dohnanyi, Germany

    Magnolia; Miniatures

    In former times the number 3 rapresents the trinity the way of being complete.body,soul and spirit -harmony past,present and future. In my work i like to introduce frequently numbers 3,5,22.
    Its in a way not intenionally i am not starting from the number. The numbers comes up like something naturally from the deep inside. In the contruction of a blossom the blossoms leaves the filaments the ovary are allways in the same geometrique contruction and riproduced in every specious of flower . Ripeting the same amount of numbers. This my facination of getting in touch with nature and giving more attention and respect to what is surrounding us.

    AG 925 black plated,smoke crystall,rockcrystall goldneedles stainless steal; AG 925, pigment, rockcrystal rutil needles, magnolia flour, stainless steal;

  • Camilla Luihn

    Camilla Luihn, Norway

    Cygnus Purus II–VI

    The materials that make up the world around us carry stories with them: stories of the meeting between function and aesthetics, time and force, needs and properties. At times, these stories are so ingrained in us that we take them for granted and don’t question the associations and narratives they give us, such as white, shiny surfaces being an image of cleanliness, or the swan being a symbol for grace, elegance, and light.

    Copper, enamel, cotton rope, brass

  • Carina Shoshtary

    Carina Shoshtary, Germany

    Aurora Borealis II; Icarus II; Icarus I

    PLA (bio plastic), secret ingredient, glass, acrylic, silver; PLA (bio plastic), barnacles, second hand, sweet-water pearls, silver, crystals, lacquer, thread; PLA (bio plastic), fossil shark teeth, crystals, second hand pearls, silver;

  • Chao Hsieng-Kuo

    Chao-Hsien Kuo, Finland

    When The Spring Comes No. 2

    My silver sculpture tells the joy of seeing little flowers, which have broken through the debris of winter and bloom as the spring arrives with sunshine and hopes.

    925 silver, 24K gold foil

  • Consuelo Keller

    Consuelo Keller, Switzerland

    Ring Gyroid R_C6_6_100_T35; Ring Gyroid R_C6_100_6_T35;

    No words, just algorithms and intuition, machine and hand, laser and metal…

    Titanium, laser powder bed fusion and hand finishing

  • Daniel Jirkovsky

    Daniel Jirkovsky, Czech / Netherlands

    Inspirium

    The series of brooches „Inspirium“ is a reflection of the topic of breathing in/inhaling in combination with material research. presented work is formed by such a ephemeral medium like oxygen.

    Copper, silver, stainless steel

  • Daniel Kruger

    Daniel Kruger, Germany

    Pendant 2022; Necklace 2022; Necklace 2023; Necklace- 1950’s souvenir coasters; Necklace 2024;

    I use many different materials, both rich and poor. The forms vary from organic to geometric, the organic however seems to prevail. Texture, pattern and colour play a big role, as does sensuality both in the shapes as well as in the use of material. I like symmetry; often pieces are made up of pairs.
    For ideas I draw on natural forms and artefacts of all kind, both historical as well as contemporary. This I believe is evident in my work.
    The crafting of each piece is part of the creative thinking process.
    The jewellery I make is to adorn a person, to be a celebration. Its place is the body and its intention is to enhance the wearer as well as to be an object of contemplation to be taken in the hand and looked at from all sides. It is both jewellery and an artefact conceived and made by one person for the enjoyment by another person.

    Glass beads, silk, silver; Agate, copper, brass; Polyester threads, rhinestones; Wood, silver; Vintage boile, coloured sand, silver, gold;

  • Dariusz Wojdyga

    Dariusz Wojdyga, Poland / Norway

    DIADEMA EUCUDARIS 01; DIADEMA EUCUDARIS 03; SERTULARELLA GAYI Black; SERTULARELLA GAYI Green; SERTULARELLA GAYI Yellow

    The baggage of knowledge we possess does not allow us not to name, categorise, classify. The form or its idea? We cannot avoid meanings. We cannot avoid responsibility. We. Humans.

    Aluminum, steel; necklace; Aluminum, steel; necklace; Aluminum, steel, copper, spray paint; Aluminum, steel, copper, spray paint; Aluminum, steel, copper, spray paint;

  • Deimantė Kiesutė

    Deimantė Kiesutė, Lithuania

    More than a couple of boxes of chocolate

  • Denise Reytan

    Denise Reytan, Germany

    Nocturnal; Marienkäfer; Youth; Kenzaburo; Elements of life;

    Art speaks for itself, creating emotions and ideas beyond language. Explaining it confines its infinite interpretations. I invite for exploration, allowing each viewer to discover their very own story.

    Silver, resin; Silver, finegold, resin; Silver, resin; Silver, Resin, Amethyst, Onyx, Rosenquarz, Coral, Glass, Rope, Rock crystal, Magnesit, etc.; Silver

  • Diana Kirdeeva

    Diana Kirdeeva, Belarus / Belgium

    Forced belonging(s): Interlocked fingers I; Hanging container I; Prism; Hanging fingers I; Clot;

    In a vulnerable borderline state of transformation wax objects carry the potential to be either completely destroyed or become more durable under the right conditions…

    Bees wax + cotton thread, casting + assemblage; Bees wax + cotton thread, casting + assemblage; Bees wax, casting + assemblage; Bees wax + cotton thread, casting + assemblage; Bees wax, casting + assemblage;

  • Doerthe Fuchs

    Doerthe Fuchs, Germany

    Look, and you will see I

    Silver soldered, mirror glass with drawing, 2024

    Look, and you will see II

    Silver, sawn and soldered, mirror glass with drawing, 2024

    Everything has a history… the deeper, closer, further, more differentiated you look, think, search, the more stories unfold. This applies to everything…

  • Dominyka Gulbinaitė

    Dominyka Gulbinaitė, Lithuania

    Mute

  • Eero Hintsanen

    Eero Hintsanen, Finland

    Drop Dead Gorgeous no.3; Drop Dead Gorgeous no.4; Drop Dead Gorgeous no.5;

    Drop Dead Gorgeous rings invite interpretation—are they relics of the past, visions of the future, plants, animals, or simply stunning accessories to wear?

    925 silver, 18k yellow gold, diamond. Sculpting, lost-wax casting, stone-setting; 925 silver, keum-boo 24K gold foil, rock crystal. Sculpting, lost-wax casting, keum-boo, stone-setting; 925 silver, freshwater pearl. Sculpting, lost-wax casting;

  • Eeva-Riitta Wornell

    Eeva-Riitta Wornell, Finland

    ~

    Steel and Fabric; Silver Rosewood and crocheted Cotton; Aluminium and Leather

  • Eglė Banytė

    Eglė Banytė, Lithuania / Ireland

    Wave

    I see the world through geometry. My work focuses on the geometry of everyday life. In this case, I saw a wavy bench and I made this brooch.

    Sterling Silver, Hallmarked. Traditional goldsmithing techniques (hand cut, drilled, soldered).

  • Eglė Širvytė

    Eglė Širvytė, Lithuania

    Flatterer

  • Eglė Vengalytė de Meulenaer

    Eglė Vengalytė de Meulenaer, Lithuania

    Yellow; November; Very nice; Joy; Faded

  • Eija Mustonen

    Eija Mustonen, Finland

    ~

  • Eilve Manglus

    Eilve Manglus, Estonia

    Sensitive topics; Exchange beads; I would like to live in Hiiumaa, in a protected area;

    My jewellery talks about living connected to nature. Not to be afraid of this what should be natural. The materials and emotions can talk.

    Sterling silver, plant based organic material (droppings of rabbit, deer and moose); Sterling silver, recycled silver, plant based organic material (droppings of rabbit, deer and moose); Sterling silver, melchior, brass, plant based organic material (droppings of rabbit, deer and moose), bone, textile;

  • Elli Hukka

    Elli Hukka, Finland

    Tree bark – necklace; Tree bark – brooch; Bark at dawn – necklace; Bark at dawn – brooch.

    My working methods are material based and sketchlike, it is a long pro- cess from dyeing and waxing to ready pieces. My aim is to build organic shapes that seem to grow.

    Recycled cotton, plant dyeing, beeswax, brasswire, magnet; Recycled cotton, plant dyeing, beeswax, brasswire, magnet, steel wire; Recycled cotton, plant dyeing, beeswax, brasswire, magnet; Recycled cotton, plant dyeing, beeswax, brasswire, magnet, steel wire;

  • Erle Nemvalts

    Erle Nemvalts, Estonia

    Habits of a heart

    Silver

  • Estela Saez

    Estela Saez, Estonia

    Leila; Nakhla; Habibi II;

    “Maybe Days” is series of jewellery pieces; inspired by the time I spent in the Middle East. The pieces are an expression of the memories kept in my mind as of the mystic experiences in post- revolutionary Cairo. The moon-like landscape, the people, the culture and the specific energy that this part of the world offers is unique. Sterling silver has been textured with Egyptian papyrus, silver as the moon, and Papyrus as the sun; symbolizing the eternal relationship existing between these two.
    In addition, the tourmalines are expressing the little green of life and hope within an ocean of sand and dust.
    “Maybe days” is an extraordinary opportunity to make rather visible my truthful commitment to understand jewellery that goes beyond the tangible body”

    Silver textured papyrus/tourmalines; Silver textured/tourmalines; Silver textured papyrus/tourmalines/silk;

  • Eszter Zamori

    Eszter Zamori, Hungary

    Creation; Palette – Clear Communication; Crawling;

    Let it stand without a word,/ art is free on its own, / images, colors, forms speak, awakening feelings and thoughts.

    Textile, bracing made of copper, hand sewing; Plexiglass and yarn, laser cutting and knotting; Paper, pigment, cord, laser cutting and gluing, painting;

  • Felieke van der Leest

    Felieke van der Leest, Netherlands / Norway

    Princess Sunshine; My Little Kalashnikovsky

    I have my story, you have yours…

    Textile, plastic animal, gold. Crocheted, metalwork; Textile, glass beads, metal, glass. Crocheted;

  • Flora Vagi

    Flora Vagi, Hungary

    Green in the wind; Aurora borealis; Magna oliva tinea

    My work has always had a focus on indirect messages.
    In the way of using “living” materials and a transformation that creates questions and curiosity in the viewer, I don‘t tell stories, rather compose a context in which everyone who gets a closer connection to my pieces has the opportunity to make their own interpretations, whether by recalling a memory or imagining a story, or simply opening up to sensations.

    Words are perfect if one wants to communicate a concrete message, however this has never been my intention. My interpretation is kept for myself. I use the titles to identify current impressions, but they very well may change with time.

    The three works that I selected for this particular theme, they were made years apart and in different periods of my life, yet there is a thread that connects them.

    I invite the viewers to create their own stories with some of the elements provided by me.

    Wood, pigment, acrylic paint; Wood, pigment, acrylic paint; Olive branch, 18ct cold, silk

  • Frederic Frenay

    Frederic Frenay, Belgium

    Aggregate; The Basics Of Structure; Seeking Some Connection; Architect Of Your Own Darkness; Relics Of Transformation

    Shibuichi, Concrete, Shou Sugi Ban, Resin, Stainless steel; Concrete, Shibuichi, Silver, Resin, Stainless steel; Concrete, Shibuichi, Aluminum, Walnut, Stainless steel, Resin; Concrete, Resin, Abrasive Disk, Shibuishi, Shou-sugi-ban, Silver; Concrete, Shibuichi, Resin, Oxidized Silver, Stainless Steel.

  • Fruiting Bodies, Poland

    Ajar ring; Creatures; Star ring

  • Fumiko Goto

    Fumiko Goto, Japan / Switzerland

    Series ENCLOSED: Amabikono (hearing; Tamakushiro (touch); Haruhanano (smell); Kumoinasu (mind); Mashimono (taste)

    ENCLOSED series
    Folded, Urushi-lacquered washi paper inspired by traditional Origata, enclosing a selected epithet representing each of the six senses from Makurakotoba (pillow words) of waka-poetry once exchanged by courtly lovers.

    Washi-paper, Urushi-lacquer, silver.925

  • Vokietija / Nyderlandai

    Gesine Hackenberg, Germany / Netherlands

    Allround Altocumulus; Cumulus Mediocris II; Cumulus Congestus

    From the series CLOUDS, since 2023
    Clouds as (storage) place for intangible information

    Pearl Purl Wire, textile (natural dyed by Roua Atelier) silver, remanium

  • Ginta Grube, 2024, Latvia

    Ginta Grube, Latvia

    HEX KEY No.III (Collection Jeweltool) No.V (Collection Jeweltool)

    Iron, silver Aluminium, clay, rubber Aluminium, plastic, rubber.

  • Gisella Ciullo

    Gisella Ciullo, Italy / Netherlands

    Broken Heart I (brooch); Broken Heart II (brooch); Broken Heart III (brooch); New Hopes I (ring/object); New Hopes II (ring/object)

    RADICAL SHADE
    In my homeland (Salento, Southern Italy) an epidemic of the bacterium Xylella fastidiosa destroyed 21 million olive trees in recent years, out of a heritage of 60 million.

    Olive wood, silver, stainless steel; Olive wood, silver, oxidised silver, stainless steel; Olive wood, oxidised silver, stainless steel; Olive wood, silver; Olive wood, silver;

  • Hanna Liljenberg

    Hanna Liljenberg, Sweden

    Within, 2023 (neckpiece); Within, 2024 (brooch); Within, 2024 (neckpiece)

    Brass, paper, acrylic paint, lacquer, linseed oil; Brass, silver, paper, seed cases, acrylic paint, lacquer, linseed oil; Brass, paper, seed cases, acrylic paint, lacquer, linseed oil;

  • Hansel Tai

    Hansel Tai, China / Estonia

    Delicate Spine IV; Delicate Spine V; Delicate Spine VI

    Vintage Crystal Glass, Metallic Mother of Pearl, Thread, Oxidized Silver.

  • Idiots, 2024, Netherlands

    Idiots, Netherlands

    ~

  • Ildiko Danfalvi

    Ildiko Danfalvi, Hungary

    Visions series 2024

    Steel, plexiglass, mirror plexiglass, paper collage

  • Isabel Wang Pontoppidan

    Isabel Wang Pontoppidan, China / Denmark / Netherlands

    Amongst The Devil’s Dandelions I; Amongst The Devil’s Dandelions II; Amongst The Devil’s Dandelions III; Baroque Snailhouse For Your Finger.

    Your finger is a slug; wants to upgrade. You can call me your architect, engineer, contractor and real estate agent. This opulent snailhouse is the perfect fit for one.

    Silver, Freshwater Pearl; Silver, Freshwater Pearl; Silver, Cubic Zirconia And Tourmalines; Silver, Fluorite.

  • Izabella Petrut

    Izabella Petrut, Austria

    Zhuangzi Bu+erfly Dream 2023

    We experience the world mostly through our phone. Use your phone to experince the AR feature of the necklaces, and reflect on the questions it opens up.

    Epoxy resin, silver, PLA, Opalith, Anden Opal, (magnet); Silver, epoxy resin, Sodalite, Anden Opal, (magnet); Epoxy resin, silver, Aventurin, Onyx, Tourmaline Quartz;

  • Janne Peltokangas

    Janne Peltokangas, Finland

    Sieidi Cikna No.13, 2023; Sieidi Cikna No.14, 2024; Sieidi Cikna No.15, 2024; Sieidi No.15, 2022; Bazahus III, 2024;

    My work transcends conventional storytelling. Instead of craing narratives, I create pieces that communicate through their physical presence and materiality. My artworks engage the viewer on a sensory level, inviting touch and evoking emional and intellectual responses that go beyond words.
    In a world inundated with stories, my pieces stand as a reminder of the power of direct experience and the intrinsic value of materials. They emphasize the importance of what is felt and experienced immediately, without the need for explanation or narrative. By showcasing the inherent qualities of metal and the deep connection between my cultural heritage and the natural world, my work invites viewers to engage with what truly matters and to explore the profound relationships between materials, environment, and human experience.

    Iron & Silica

  • Jasmin Matzakow

    Jasmin Matzakow, Germany

    The Lore of Hysteri (necklace) 2024

    Anger in Western, patriarchal societies is attributed to white cis men, while women and non-binary people are hysterical (Greek hystéra: womb). Their rage is just a game. Let’s play then.

    Wood, Cow Intestines, Iron Wire

  • Jeanine van der Linde

    Jeanine van der Linde, Netherlands

    Airborne No 1

    Recycled plastic bags, hand-dyed wool, sterling silver, steel, 2023

    Airborne No 2

    Recycled plastic bags, Tyvek, fabric hardener, sterling silver, steel, 2023

    Our lungs are threatened by rising air pollution from airborne syntetic fibers, which shed from cheap clothing and fast fashion, leading to internal plastic pollution.

  • Jeannette Knigge

    Jeannette Knigge, Netherlands

    Nose Hair

    18K gold, 2024

    Breast

    925 Silver, Silicones, 2024

    Lashes

    925 Silver, 2024

    What defines our identity? My research shows that identity is fluid and can be seen as an ongoing performance. People will act according to the applicable rules in their social environment and adapt. Still, they also want to preserve their identity and be seen and recognised for who they are.
    Jewellery is a way to show your identity. You adapt to the social needs of your environment. What happens when you wear jewellery that no one recognises as such?
    My pieces raise questions about our social behaviour and people’s expectations of themselves and others.

  • Jelizaveta Suska

    Jelizaveta Suska, Latvia / Sweden

    Frozen Moment: Stardust 1, 8, 2; North 2, 3;

    The brooches are a reflection of my imagination, they have no stories behind them, yet I wish them to evoke a memory or a fantasy in you.

    Polymer, crushed stones, stardust/low micrometeorite %, 14K gold, meteorite Campo del Cielo, steel, titanium; Polymer, crushed stones, stardust/low micrometeorite %, 14K gold, meteorite Sikhote Alin; Polymer, crushed stones, stardust/low micrometeorite %, 14K gold, titanium, steel; Polymer, silver shaves, 14K gold, titanium; Polymer, silver shaves, 14K gold, titanium;

  • Jens A. Clausen, Estonia

    Untitled

    925 silver, rubber, HDU, steel, 2024

  • Jil Koehn

    Jil Koehn, Germany

    OUVIT; PYROS; RIVAK;

    Inspired by dreams and nature, Jil sculpts objects of bizarre beauty that seem to originate from the nature of another world – artifacts of distant worlds as jewelry for earthly moments.

    DIOMANT (self-developed composite), ultramarine, lapis lazuli, sterling silver, stainless steel, assembled, cast; DIOMANT (self-developed composite), vermilion, purple, magnet, assembled, cast; DIOMANT (self-developed composite), egyptian green copper silicate, sterling silver assembled, cast;

  • Joani Groenewald

    Joani Groenewald, South Africa

    Cast in Stone 1; Cast in Stone 2; Skipping Stones 1; Skipping Stones 2; Cast in Stone 3;

    Within every stone there is the story of a place: In this series of works, I reimagine fragments of landscapes in the form of jewellery pieces, that highlight the intimate connection between humans and their environment.

    Silver, Sand, Steel and Glass; Silver, Sand, Steel, Synthetic Coral; Silver, Glass, Resin, Sand, Cement; Silver, Glass, Resin, Sand, Waxed Cotton Cord; Silver, Resin, Sand, Steel Wire;

  • Jorge Manilla

    Jorge Manilla, Mexico / Belgium

    In order to understand, I destroyed myself; I bear the wounds of all the battles I avoided; Let us sculpt in hopeless silence all our dreams of speaking; I have to relate myself to an immense, ludicrous, and painful convulsion of all of humanity; Eroticism, it may be said, is assenting to life up to the point of death; I don’t want your love unless you know i am repulsive, and love me even as you know it;

    “Primitive Impulses”
    This body of works are representations of a unique emotional depth experienced in recent years. They focus on feeling and confronting vulnerability and melancholy, often circulating and questioning aspects between vitality and death, aesthetics and deformation, figuration, and abstraction.
    My pieces are a testimony of visible and perceptible transformation processes in human life.
    Themes as love, pain, sexuality, and emotional strength become focus elements for the construction of those pieces.

    Horn, wood, leather, polymer gypsum, steel; Horn, wood, leather, polymer gypsum, steel; Wood, leather, polymer gypsum, fossilized prehistoric bone of unknown origin, steel; fabric, dry flower, wood, leather, polymer gypsum, steel; Wood, leather, polymer gypsum, fossilized prehistoric bone of unknown origin, steel; Wood, leather, polymer gypsum, dry flowers fossilized prehistoric bone of unknown origin, steel;

  • Josephine Rønsholt Smith & Mette Charlotte Saabye

    Josephine Rønsholt Smith & Mette Charlotte Saabye, Denmark

    #1 Intimacy & Flexibility; #6 Intimacy & Flexibility; #4 Care & Intention; #6 Care & Intention; #6 Confidence & Togetherness;

    In collaboration, we have created these works, where materials, shapes and colors have become our non-verbal language. We want to invite everyone to participate in this sensory-based conversation.

    Pressed copper, enamelling, wood & bone carving; Pressed copper, enamelling, wood turning & carving; Pressed zinc, wood carving & needlework; Pressed zinc, wood carving & needlework; Enamelling on silver, folded zinc & brass.

  • Judy McCaigh

    Judy McCaigh, United Kingdom

    Desert Nights; Night Sailing; Moonlight Wanders

    Nature, signs, sounds, winds and music guide the indigenous people across their vast continent.

    Brass, tin, tombac, copper, gold, gold leaf, perspex, paint, brush. Construction, soldering, riveting; Silver, brass,alpaca, tin, tombac, copper, gold, gold leaf, perspex, paint. Construction, soldering, riveting; Brass, tin, tombac, copper, gold, gold leaf, herkimer diamond crystal, perspex, paint, brush. Construction, soldering, riveting;

  • Karen Vanmol

    Karen Vanmol, Belgium

    Stilleven: In the middle of the street (white, blue)

    Wood, laminate, paint, steel, mixed techniques, handcut

  • Karin Johansson

    Karin Johansson, Sweden

    Part of the serie Colors / Capri island impresssions: Cetrella; Night Compass; Vertical

    Silver, fired enamel, gold, thread

  • Karina Kazlauskaitė

    Karina Kazlauskaitė, Lithuania

    Works from the series “Oak pins”

  • Karina Lazauskaitė

    Karina Lazauskaitė, Lithuania

    Just the traders

  • Karolis Černeckis

    Karolis Černeckis, Lithuania

    White flowers; Let them die; Round & round

  • Katharina Andress

    Katharina Andress, Germany

    Flying astronauts

    Limewood, acrylic pigment, color pencil, polyester cord

  • Katja Prins

    Katja Prins, Netherlands

    ~

    (in) – Somnium
    In my practice, I reflect on my fascination for the relationship between technology and the human body. I am interested in the ambivalence, contradictions, the thin line between good and bad, improvement and danger, the uncanny valley of the familiar and the unknown. The simultaneously “healing-protective and toxic-destructive” properties of technology both worry and excite me. It provides me with imagery and ideas for a fluid boundless world where man and technology are hybrid, where the human body and the network merge and entangle one another in a structure of systems; unclear where one ends and the other begins.
    This hybridity between man and machine is also being reflected in my way of working and designing this new collection.
    I started using 3D printing and designed my forms with the Anarkik3DDesign program, which works with a special haptic device and which gave me a real sense of touch and movement in the virtual environment. By using this device I was able to feel the 3 dimensionality and texture of my forms, (de)form them intuitivly by pushing and pulling them, even go inside my forms and work in the same intuitive way as if I was working with clay and my bare hands.
    Later on I combined the forms with the silver elements, which added another layer of hybridity; traditional goldsmithing craft in combination with the latest 3D printing technologies.

  • Keiu Koppel

    Keiu Koppel, Estonia

    Visionary (headdress)

    Building a house of cards is both miraculous and absurd, capturing the tension between unattainable ideals and its fragile, temporary nature.

    Brass, playing cards

  • Ketli Tiitsar, Estonia

    From the series “Line going for a walk”: Natural; Balanced; Doubtful; Versatile!

    The serie of necklaces inspiered by Wassily Kandinsky, who told to the students of preliminary course of Bauhaus art school: „The drawing is like a line going for a walk“. In my work I play with similar elements, making them smaller and larger and searching for ways how to connect them with with line – string.
    The works are inspiered by preliminary course of Bauhaus arts school, where students where encouraged to explore their own subjective feelings and to bring creativity to design. Course was divided into three sections: studies of nature and materials including colour and form theory, analyses of the old masters and life drawing. After Johannes Itten, Wassily Kandinsky started to teach the course.
    This body of works is made during Erfurt Schmuck Symposium on 2019. Theme of the symposium was Bauhaus, as the legendary school was celebrating 100 years anniversary. My work was selected to the exhibition Schmuck 2020 in Munich. Four necklaces were sent to the exhibition, they were unpacked but due to global Covid Pandemic the exhibition and Handwerk fair were cancelled, first time in their long history. These pieces were sent back and never shown publicly so far.

    Walnut wood, iron, industrial enamel, paint, viscose cord

  • Koen Jacobs

    Koen Jacobs, Netherlands

    Narcissus; Venus; Juno

    METAMORPHOSES
    Metamorphoses is inspired by mankind getting out of touch with nature. The Roman poet Ovidius, describes in his poems Metamorphoses beautifully how the harmony between humans and nature got disturbed by gods pursuing earthly desires, just like we do today. In classical times the longing for getting back to harmony was symbolised in hybrids of human and nature which can be seen in many fresco’s and sculptures in the form of centaurs, fauns and so on. My residency in Florence allowed me to study these mythological figures in detail and use my observations as inspiration for Metamorphoses.
    Each piece consists of two parts, a silver wire drawing on top of a chiseled shape. With the silver wire, I have recreated my observations of the mythological figures. By bringing these mythological figures to live, I hope to inspire you to get in harmony with nature again.

    18k gold plated silver; Silver, Avaiki Pearl; Silver, white pearl

  • Kristiina Laurits

    Kristiina Laurits, Estonia

    Talpa; And from soil I; And from soil II

    Don´t tell me a story, my jewellery will tell it instead.

    Soil, silver, black tourmaline; Soil, silver, hematite; Soil, silver, egg shell, paint, lack, almanddine;

  • Lars Joosten

    Lars Joosten, Belgium

    From the series MECHAN-ISM: Flying Saucer; Hinge and closure; Tension Inbetween

    Aluminium, stainless steel and silver; Aluminium, acrylic, steel and silver; Titanium and steel;

  • Laura Hanisch

    Laura Hanisch, Germany

    Cat Face+Tail; Safari;

    You need to touch it! Then play!

    Glas, cotton, steel, brass(goldplated), nylon; Aluminum, cotton, paint, hair

  • Laura Salguero

    Laura Salguero, Spain

    Oikos Joya

  • Lieta Marziali, United Kingdom

    Statement piece, 2024

    Text, Calibri font (the author’s preferred font), card, commercial ink, felt pen, stainless steel.

    Dear viewer,
    LET ME TELL YOU A STORY. Take your time to read it. The author is not dead.
    It was Roland Barthes who famously declared it publicly. Putting you, the reader, the viewer, in the driving seat, giving you free rein to interpret. You felt you had the power to see what you wanted to see, to disregard the author’s intention. It was also around that time that it became fashionable to refer to what you were seeing as “auto-nomous objects”.
    Ah, the irony! For once, an object is conceptually such only if there’s a subject. And how can it have free agency to “rule” itself if you are imposing your own interpretation on it? AND how is it that you so often glorify and judge its value not for itself, or even your interpretation of it, but through its provenance and the creative powers of its author?
    Foucault cautioned us to observe and examine the ‘empty space… the void’ left by this supposed death. Too many considerations (and contradictions) left open…
    So here’s what I think. As an artist, I am not here to tell you what to see. But I AM here to give you a lens through which to see the world with my eyes, my thoughts, my questions. If you are interested in seeing only through your own eyes, what is my role as an artist?
    Artists are the instigators of meaning. It is our responsibility not to provide answers but to pose new questions. And it is the responsibility of you, the viewer, to listen and to engage, not in solitary interpretation, answering only to yourself, telling yourself what you want to hear, but in a dialogue, with the author and with others.
    Art is not an object. It is not the “thing” in front of you.
    Art is not auto-nomous. It does not speak for itself, it does not “govern” meaning by itself, and nor do I, or you.
    Art is the opening of a door for us to join forces in thinking, agreeing, questioning, clashing. Art is the creating of both empathy and entropy, harmony and chaos.
    The etymology of the word “art” contains the concept of “fitting together”. So allow me to be an author who can, and wishes to, tell you a story. And allow yourself to be a viewer who can, and wishes to, listen and pay attention. Art is what happens next, when we create meaning together.
    Art is a shared doing.

    Yours, Lieta

  • Liisbeth Kirss

    Liisbeth Kirss, Estonia

    I’m Just A Girl; We All Suck

    My works are in their very essence connected to speaking. One of them glorifying the orator by delicate silver flowers, another chocking the speaker through a silver lollipop.

    Silver, rose quartz, agate, chalcedony, citrine, amethyst, silversmithing; Silver, opals, silversmithing;

  • Lorena Rode

    Lorena Rode, Netherlands

    Where my mother marked me, the devil also marked me

    Where my mother marked me, so did the devil

    By mere stains I was conditioned at birth
    As an aberration

    Gifted skin of my mother
    Specks and freckles
    Clear signs of treaties
    Of a pact with evil
    Touched by the devil
    And so persecuted
    Overwhelmed with violence
    Forced to burn and drown

    And other times we honoured them as exceptions
    Painted, smeared, and drawn
    Inviting a change of faith
    Still ruled by exclusivity
    But crowned with diamonds and glamour

    And now I beg for permanence
    Inked my skin for closeness
    For more me and less her
    30 years of a potentially cancerous presence
    A time of slow change
    Slow growth and death
    Let us dress with chains of glass
    For additions that tell of dichotomies

    This collection explores the connotations, beliefs, and myths that have circulated our natural blemishes such as moles and birthmarks. They are at one point considered a sign of attractiveness, famously known as beauty marks, and in other moments moles and similar skin features have been associated with negative connotations ranging from disgust and aversion to the horrible medieval concept of the witch’s mark—a supposed indication of a pact with the devil, used to justify persecution.

    Borosilicate glass

  • Louise Bilgren

    Louise Billgren, Denmark

    It’s Quite True

    Inspired by H.C. Andersen’s “It’s Quite True!”, my work highlights the danger of gossip. It illustrates how a minor event, such as a chicken losing a feather, can escalate into an exaggerated tale of five dead chickens.

    • Brooch one: There it Goes
    • Brooch two: Vanity
    • Brooch three: I’m All Ears
    • Brooch four: From Henhouse to Henhouse
    • Brooch five: Fallen Feathers

    Silver, steel

  • Loukia Richards, Graikija

    Musketeer

    Embroidery on textile, 2024

    Little Red Riding Hood,

    Embroidery on textile, 2024

    Children’s literature shaped our view of the world and its challenges. Technology abuse
    drains children’s imagination and free thinking. The cuffs encourage wearers to share the
    story of childhood heroes.

  • Maja Licul, Slovėnija

    Maja Licul, Slovenia

    Double smash brooch

    Casting, bronze, 2024

    Double order brooch

    Casting, bronze, 2024

    The story is not hidden in my work, the story is my work.

  • Marcelo Ferreira Gustafsson

    Marcelo Ferreira Gustafsson, Sweden

    Aroid 01, 2023, necklace (Talisman); Hand piece, 2024; Aroid 03, 2023 Necklace (Talisman)

    Ash wood, copper, copper oxide, carnelian, silk, cotton, mother of pearl laminat, green 925 gold leaf;Ash wood, copper, copper oxide, 925 green silver leaf, carnelian, waxed linen thread, vintage amber beads;Ash wood, lacquer, 925 silver leaf, silk cord.

  • Mareen Alburg Duncker

    Mareen Alburg Duncker, Germany

    Night Sky; Foliage; Green earrings; Summer Meadow Bracelet.

    I have captured the summer.

    Silver, pigment spray assembled; Silver, pigment spray assembled; Lemon chrysoprase, silver, pigment spray assembled; Silver, pigment spray forged.

  • Maria Valdma, Estonia

  • Marite Rudzate

    Marite Rudzate, Latvia

    nepan_ESAMĪBA; ===; @@@;

    Titanium chain necklace, TIG welding, forging; Titanium chain necklace, TIG welding, forging + ready made touch-sensitive device elements; Titanium chain necklace;

  • Martin Verner

    Martin Verner, Czech

    Cube; Two spheres; Cilinder; Cube #2; Rest of the sheet

    Is the artist’s goal to achieve the perfect form or is it a living creative process in itself?

    Silver, stainless steel, natural patina. Soldering, cutting, bending.

  • Martina Singerova

    Martina Singerova, Czech

    Blinds (1-4)

    Wood, paint, brass, steel

  • Marytė Dominaitė

    Marytė Dominaitė, Lithuania

    Brooch “IRIS germanica“ from the series “Herbarium”

  • Max Górski

    Max Górski, Poland

    Untitled 1; Untitled 2; Crash; 222

    Silver

  • Merlin Klein

    Merlin Klein, Germany

     A little thin

    Glass pearl from Sahara sand collected in Munich, Pearl silk, 2024

    “A little thing” in English: pettiness Alternatives: a small thing, or trifle It became somehow grim, a very strange mood set in. First, I did not know what had influenced me visually so much. I blinked hard, many times, so as to see whether my eyes recovered or whether it was due To the fact that the light reaching my eyes had changed. That was not the case. I looked around closely. Somehow everything looked orange and hazy. It lasted an instant longer until I looked up at the clouds in the sky. This is where the light came from. The whole sky was coloured orange red and the reason was not the sunset. It was as though heavy pigmented clouds were up there, somehow moving, or maybe not. While I was considering what it could be, perhaps an atomic war had broken out earlier than I thought and the colour in the air was possibly the result of the detonation of a city transported by the wind, a patch of blue sky appeared through the clouds. Evening set in, Then night, And I went to bed. During the night, it started suddenly to rain heavily. I could hear how the rain falling from the sky hit, drummed and rattled onto the roof of my truck. I remembered the sky and the colour once again. It was almost as though the rain fell differently. Heavier and yet slower than usual. I thought again about the war and kept picturing it in my mind while outside the acid rain contamined and ate everything away. I hoped that the aluminium covering of my truck would withstand it. I slept. The next morning I opened the outside door to check whether everything had been eaten by the acid rain. I was frightened and touched at the same time. Outside, everything was covered with a fine, orange brown dust. I was aware that it was the same colour I had seen in the clouds the evening before, and now, here it was in front of my door and it painted everything outside in a monochrome I looked on the Internet to find out whether more information was available, or if something had happened. I now wanted to know whether it was a city blown into the air by an Atom bomb that I was rubbing between my index finger and my thumb…. I read about this phenomenon; under certain circumstances, sand from the Sahara can be carried very far by wind and weather. In this case, this was what had happened and Munich was covered with it for a short time. Because I could not believe that the Sahara sand was now covering everything, I started to collect it together with a paint brush. It was like having found something precious. It was the finest sand I was holding in my hands. A friend of mine had just come back from a holiday in the Sahara. She found it strange that she had travelled so far and had brought back Sahara sand in her luggage, and that here it was a few days after her return in front of her house. Like me, she had the same impulse to collect it. As we talked about it and I told her about my idea to make a glass pearl necklace from the Sahara sand, that one could wear as a piece of jewelry later, she gave me the sand she had collected without another thought. We put all our Sahara sand together and transformed it from a small pile of dirt into a special pile of something remarkable. Perhaps, it is not just about my work but also about friendship. About travel and distance. About what makes you curious. Or about “staying at home”, about the nearness, about the incomprehensible. In any case, it is about Anna and me. The Sahara and the wind. And situation… A short while ago, I was sitting with Anna in my Truck and I had the necklace, which until now, I had only imagined, it was almost ready. Andy arrives at that moment, cheerful. He hears the conversation between us. As he realizes that after many trials the necklace is almost ready, he asks to see it. Again he is very happy when I show it to him. “From the sand, you made this little thing”? Yes, that’s what I made out of it. Dr. Bernd Hamann, Uwe Schadewald, Silke Meyd, with their arduous work, with their skill, ambition and engagement, with their finest labwork, the firm Fluxana in Ilmenau, have made a piece of glass from the Sahara sand for me. And I have only then, as Andy said, made “a little thing” so that this story can be worn as a piece of jewelry. As simple as possible, how easy is that. “A little thing” in English: pettiness Alternatives: a small thing, or trifle Thank you Anna! Thank you Fluxana! Thank you Dr. Hamann, Uwe Schadewald, Silke Meyd….

  • Mira Kim

    Mira Kim, South Korea / Germany

    Faces (brooch); Patterns (earrings); Patterns (ring 1); Patterns (ring 2); Dimension (necklase)

    Silver, Copper. Mokumegane, Guilloche engraving; Silver, Copper. Mokumegane, Guilloche engraving; Silver, Copper. Mokumegane, Guilloche engraving; Silver, Copper. Mokumegane, Guilloche engraving; White Gold (750), Silver. 3D Printed Gold, Guilloche engraving.

  • Mirei Takeuchi

    Mirei Takeuchi, Japan / Germany

    hier verbindet sich was getrennt

    “hier verbindet sich was getrennt” = “something else is connected here”

    Textile, yarn, stainless steel

  • Mona Wallström

    Mona Wallström, Sweden

    Elegy XV; Elegy XVI; Elegy XIX; Elegy XX; Elegy XXI

    Work from FALLEN HAIR, an ongoing project since 2021. It’s about reflecting on loss and grief while working with my stands of hair.

    Horn of reindeer, human hair, oxidized silver; Horn of reindeer, human hair, oxidized silver; Wood, human hair, paint, oxidized silver; Wood, human hair, paint, oxidized silver; Wood, human hair, oxidized silver.

  • Morgane de Klerk

    Morgane de Klerk, Netherlands

    Nose to Nose #1; Nose to Nose #2

    Jewellery—like words—too often emphasises on hierarchy and distinction between individuals. This series rather illustrates two noses conversing with each other without the use of a single word.

    925 sterling silver

  • Neringa Poškutė-Jukumienė

    Neringa Poškutė-Jukumienė, Lithuania

    Ring Sharp; Ring Expensive; Ring Hard

  • Nikolay Sardamov

    Nikolay Sardamov, Bulgaria

    Necklace 1; Necklace 2

    Silver 925, oxidised, agate; Silver 925, oxidised, wood.

  • Oldŕich Sládek

    Oldŕich Sládek, Czech

    Opus Humanum #04; Opus Humanum #06; Opus Humanum #07; Opus Humanum #09

    OPUS HUMANUM
    Many parts composed in a strict order together form a clear whole. Humanity constantly strives for a shift in everything it does and creates, it strives for perfection that cannot be achieved, because an imperfect being cannot achieve perfection in a work. But it has to try, it is it’s lot. The work itself reflects the energy and hard work put into it.
    The OPUS HUMANUM series attempts a shift in my creation of assembled jewelry connected only by cold joints. In this case, everything is held together by a threaded nanowire.

    Steel, gold, nanowire; Steel, gold, nanowire; Steel, gold, nanowire; Steel, gold, nanowire, kevlar;

  • Oscar Wippermann

    Oscar Wippermann, Germany

    Pythagoras at the beach; The Crocodile does not have Feathers; The Moon comes for a Visit; The Sun is not hungry anymore; The Unchangeability of the Flower Bouquet

    Bone, grenadill, vegetable net, silk, cotton, brass; Bone, grenadill, vegetable net, silk, superglue; Bone, grenadill, vegetable net, silk; Bone, grenadill, vegetable net, polyester, cotton; Bone, grenadill, silk, willow bark, steel, brass, superglue;

  • Paul Adie

    Paul Adie, United Kingdom

    Hame; Her; Mother; Positive; Woman-Man

  • Pavel Opocensky

    Pavel Opocensky, Czech

    From the series Broken Chair: Brooch # 2; Brooch # 3; Brooch #4; Bracelet

    Materials and their characteristic qualities have been the main substance of all my jewelry for more than 40 years. In the series “Broken Chair,” a polymer-designed product is recycled into jewelry. Transparency and color give me the impulse to decide what to do with it. In past years, I have carved many different materials from products like snowboards, motor engines, guitars, bicycle frames, and so on. The final shape is the result of the material’s quality and original purpose.

    Stainless steel, polymer. Carving.

  • Philip Sajet, Netherlands

    Silver stone ring

    Gun ring

    Cube ring

  • Rasma Puspure

    Rasma Puspure, Latvia

    Wesley. From series „For Team Arteles“

    Sterling silver, shungite, onyx, healers’ gold (magnetite with pyrite), cotton tread, 2024

    Stories have to be experienced, allowed to happen. It is for this reason that the jewellery created is an intuitive search through materials that refer to shared experiences with the recipient of the necklace.

  • Ria Lins

    Ria Lins, Netherlands

    IDENTITY 1; IDENTITY 2

    Colored silver

  • Rosa Borreda

    Rosa Borreda, Spain

    No titles 1-2

    Can the mixture of several disciplines create a different one?
    Can the insignificant be magnified?
    Why not modify to improve, renew and contemplate again?

    Fragments of different types of wood, some of them with paint on, fabric, steel staples and waxed finish.

  • Sabine Klarner

    Sabine Klarner, Germany

    In 2019, the Remmo clan broke into the Green Vault in Dresden and stole a large part of the state treasure.
    The stones from the precious pieces were broken out, damaged or destroyed.
    The stupid and barbaric thieves thought the stones were valuable and could be sold. But they are not valuable in the commercial sense today, according to international standards, but “only” in the (art) historical sense.
    And especially in the jewelry, in the parures and ensembles.
    That annoyed me so much that I sent my jewelry to Munich on the arm of the thief.

  • Sandra Malaškevičiūtė

    Sandra Malaškevičiūtė, Lithuania

    ~

  • Sara Gaczkowska

    Sara Gaczkowska, Poland

    Part I; Part II; Part III

    Collection „Body” refers to the body and its parts. “The body speaks covertly in a way that culture cannot control”. Each brooch invites to touch its surface which is carved from the stone.

    Carved stone, silver, steal.

  • Sarah Schuschkleb

    Sarah Schuschkleb, Germany

    Ruhende Handlangerin; Ruhender Handlanger; Glimmende Handlangerin; Mamilas ( 3 pins)

    My objects should make you want to touch them and help you focus. “Handlanger” means a helping person but can also be understood as a place where the hand touches.

    Wood, graphite, lacquer, iron nails; Wood, graphite, lacquer, iron nails; Wood, copper, glass, plastic; Iron, magnet

  • Saulius Vaitiekūnas

    Saulius Vaitiekūnas, Lithuania

    ~

  • Sebastien Carre

    Sebastien Carre, France

    Organic Landscape (Bracelet #5); Organic Landscape (Ring #5); Forever with us (necklace)

    Beads, threads and other materials brought together to help us
    reconnect to nature, honor grief or remind us how much we are all bound together.

    Beads, leather, cotton, silk, elastic thread, nylon; Beads, aquamarine, jasper thread, nylon; Jet, pearls, silk, beads, nylon;

  • Sille Luiga

    Sille Luiga, Estonia

    Series “PREACH”

    It uses hammered silver investing coins and deals with paranoia in popculture regarding money and fame.
    Material is a mix of pure and sterling silver, parts of pure silver investment coins are used. Brooch needles are made from stainless steel.

  • Silvia Bellia

    Silvia Bellia, Italy

    From the collection “All that Glitters is not gold”: Gem Fusion; Mumbai; Polly

    Pink quartz, lemon chrysoprase, quartz crystal, amethyst, resin, silver; Carnelian, amethyst, pink opal, resin, silver; Pink chalcedony, chrysoprase, amethyst, resin, silver.

  • Sofia Bankeström

    Sofia Bankeström, Sweden

    Woodland fruit 1; Woodland fruit 2

  • Solveiga ir Alfredas Krivičiai

    Solveiga ir Alfredas Krivičiai, Lithuania

    ~

    Just don’t tell me stories, others tell me stories.

    Silver, USB stick, phone, connecting cable.

  • Stefania Sioufa

    Stefania Sioufa, Greece

    Belong 1 (ring); Belong 2 (necklase)

    The name Belong is derived from the notion that everything starts and finishes in the nature, so everything belongs to the nature.
    Moreover, I am presenting a bold statement piece for the contemporary jewelry competition. A sizable ring featuring an intricate design crafted from gold-plated silver. This eye-catching creation combines the grandeur of luxurious metalwork with modern aesthetics, making it a true testament to contemporary artistry.

    Poplar tree seeds, gold plated silver, acrylics, resin;

  • Susie Heuberger

    Susie Heuberger, Germany

    ~

  • Suvi Tupola

    Suvi Tupola, Finland

    Kaski I; Kaski VI; Kaski IX; I would rather be in a forest IV; I would rather be in a forest V

    Kaski pieces speak of how we burn the world to sustain ourselves through craft and material. Enamel elevates the wood from material to jewellery but the technique itself is destructive.

    Aspen, enamel, nails steel. Enameled; Aspen, enamel, nails, steel. Enameled; Aspen, enamel, nails, steel. Enameled; Pine needles, leather, cotton, steel. Assembled, sewed; Fir cones, leather, cotton, steel. Assembled, sewed;

  • Tamia Dellinger

    Tamia Dellinger, Portugal

    Passage II (necklace)

    This piece is part of my thesis collection “Poetics of Passage”, where I explore how land, time, and storytelling are intertwined, this necklace came to be from materials that have personal significance (either collected from meaningful places or gifted by loved ones). This attaches a hidden narrative to the piece, the only clue to what it might be is in the title.

    Basalt, silver, pigment, epoxy, corundum

  • Tatjana Giorgadse, 2024, Germany

    Tatjana Giorgadse, Germany

    I eat my dreams; 5500 ℃; n.T

    Wood,gold leaf, messing, rubber, paint, silver; Balza wood, bio-resin, foam, silver, paint; Layered agate, foam, pigment, silver, steel.

  • Ugnė Blažytė ir Danas Tamašauskas, 2024, Lietuva

    Ugnė Blažytė ir Danas Tamašauskas, Lithuania

    (From)heart

    Your vision will only be clear if you can look into your heart. (K. Jung)
    Lead, dark and heavy matter that reflects the unconscious, deeply hidden content of the subconscious. As a metaphor for artistic alchemy, this primordial element invites us to a long journey in which consciousness is gradually purified and lead is transformed into gold, the highest form of consciousness.

    Lead, gilded silver, wax, gold paint, velvet tray. Tray: 31cm x 35cm. Objects: 10cm x 6cm.

  • Una Mikuda

    Una Mikuda, Latvia

    No story, yet 1; No story, yet 2

    Have you ever felt that feeling in your head when artwork with a story too deep and too complicated makes your brain tie in the knot? I think that artwork should be readable without any text. It should resonate with you or not. Art it is not only about the concept, but also about the form, material, composition or colour. If the art piece itself makes you feel satisfied, brings you a catharsis-like emotions or the opposite – makes you feel angry and bored? Like the form or the use of material reminds you of something? That is the moment when the story about this artwork is born.

    Silver, pearls, electric wire, flat webbing sling; Silver, gold-plating, heat-shrink tubing.

  • Valdek Laur

    Valdek Laur, Estonia

    Baracus (neckpiece); Aurochs (chestpiece); Tauros (chestpiece); Author‘s balls (chestpiece); Author‘s balls 2 (chestpiece)

    AIMLESS AURORAS OF MIDLIFE MUNDANITY is a humorous, self-ironic reflection on the absurdity of the self-declared prophets and subcultures glorifying primal masculinity. The story of (futile) attempts at casting manhood.

    Photogrammetry, cast aluminium; Photogrammetry, cast bronze; Photogrammetry, cast bronze; Cast aluminium; Cast bronze;

  • Valdis Broze

    Valdis Broze, Latvia

    Unbroken; Axis turn; The boat of silence

    “Timeless” series is composed of watch glasses and black structures. There are no clock hands, there is time and space that matters to us. Appreciate the rhythm and shapes that form by paying more attention to what’s around us. How the environment and people help us create and see a lot of new. Finding your rhythm. It’s different from the one we often live in. Stop for a moment.

    Brooch , oxidized sterling silver, watch glass

  • Vendula Fabian

    Vendula Fabian, Hungary

    Familiar events (01 – Kin); Familiar events (02 – Remains); Familiar events (03 – Paraphrase)

    Soldering, wood carwing. Oxidized sterling silver, shibuichi, sweet water pearls, amaranth wood, amethyst, prasiolite, volcanic rock, cotton thread; Wood carving, soldering, stone setting. African black wood, shibuichi, oxidized sterling silver, teeth, yellow saphire; Wood carving, soldering, stone setting. African blackwood, oxidized sterling silver, yellow sapphire, leather, cotton thread.

  • Veronika Fabian

    Veronika Fabian, Hungary

    Spring ring L (necklace)

    Soldered, flattened, pressed, hammered, gold plated brass chains, spring steel

  • Vita Pukštaitė-Bružė

    Vita Pukštaitė-Bružė, Lithuania

    The River

  • Wiebke Pandikov

    Wiebke Pandikov, Finland

    Daily Bread (series of brooches and necklaces)

    Plastic bags that previously contained bread have been worked into small basket-like objects
    applying the age-old technique of coiling, used by humans ince the Neolithic.

    Plastic bread bags, stainless steel in brooch mechanisms, hemp string in necklaces

  • Xenia Deimezi

    Xenia Deimezi, Greece

    the key; remember; 8; redemption; gender

    The experiences that engender emotion and the need for understanding of our own self are the cause of expression. This procedure no matter how long it lasts, even if it is continuous or automatic and instant, needs immediacy, purity and sincerity.

    Polyester thread, silver 925, snail shell, resin.

  • Yotam Bahat

    Yotam Bahat, Israel / Belgium

    me: 17 hands; cutting disc 2; under the sun; Pandora’s Box 2; I Swear I Love You

    Aluminum, sapphires; Bosch cutting disc, fine silver; Fine silver, copper; Fine silver, copper; Steel, 925 silver.

  • Zane Vilka

    Zane Vilka, Latvia

    Earrings 00; Earrings 88

    Earrings are my favourite type of jewellery. Although they challenge the classic conditions for functionality – size, weight, shape – they give me the greatest satisfaction when interacting with the user.

    Silver, partly gold-plated, corundum, pink opal; Silver, partly gold-plated, corundum;

  • Žilvinas Bautrėnas

    Žilvinas Bautrėnas, Lithuania

    Brooches “Pages from a teenager’s diary”