Place by Ines Almeida

Her places are the ones we remember that leave traces like a paintbrush leaves paint on watercolour paper. Brooches with paper, not enamel, fragile paper stamped and protected in silver white. Green and white, like snow-covered spruce trees, even though the brooches come from Portugal. Today they are lighting the Christmas tree in Vilnius, and in Belmont all the trees probably already look like Christmas trees, green and white. The spikes are imprinted on the memory.

Ines Almeida (Portugal) says:

A printed place

A place printed in a piece of paper

A place engraved in memory. A place we bring within ourselves. Gathering, reliving so we never forget what we felt. What we lived. A place grabbed by our own body. A pin that marks in on the map. On ourselves.


Daria Edström, 2022, Sweden

Clouds from Daria Edström

Jewellery, no matter how much you try to call it fragile and aquarellic, is usually strong, durable and rarely ephemeral. Metal has to withstand contact…

Marytė Dominaitė-Gurevičienė, 2022, Lithuania

Relic by Marytė Dominaitė

Jewellers usually decorate the vulnerable, erogenous parts of the human body: the neck, earlobes, wrists. Fingers. Their work seems to show where the gaze should…

Carole Deltenre, 2022, France

Fragility by Carole Deltenre

It’s all so fragile, especially when the snow falls incessantly, thickening that fluffy white blanket of down on the stairs, railings, balconies, uncollected leaves, children’s…

Brune Boyer, 2022, France

Rings by Brune Boyer

The further I go, the clearer I see how people want to belong, and there are more and more of them. Those who protect their freedom like a dragoness protects…

Sofia Björkman, 2022, Sweden

Winter landscape by Sofia Björkman

The black winter pattern of bare branches, the tracks of sledges in the snow, the feet of birds tracing dotted trajectories through the untouched snow,…

Lisa Björke, 2022, Sweden

Unexped connections of Lisa Björke

The Swedish artist Lisa Björke creates unexpected connections between everyday objects and elements of traditional craftsmanship – materials and techniques. In METALLOphone, she looks back…

Dovilė Bernadišiūtė, 2022, Lithuania / Sweden

Transit spaces of Dovilė Bernadišiūtė

The Swedish-based Lithuanian jeweller refers to her objects as transit spaces. Thresholds, stops and stations, subways, and airports. These are spaces that don’t seem to…

Peter Bauhuis, 2022, Germany

Pin by Peter Bauhuis

Peter Bauhuis (Germany) talks about being somewhere and marking that presence. About ways to tell yourself and the world – you are here. I am…

Jordi Aparicio, 2022, Spain

Collier by Jordi Aparicio

The black netting, stacked in rectangular “bricks”, looks massive but is actually light. The black collier requires some kind of imaginary body, it seems that…

Andrea Auer, 2022, Austria

Pseudo-pearls of Andrea Auer

Andrea Auer (Austria) exhibits pseudo-pearls at METALLOphone. Large, obviously fake, much more pearl-like images, a derivative of what we imagine a pearl to be –…